Victorian young man of St. Johnsbury, VT

Ivorygraph. St. Johnsbury. Vermont. Boston. Young man. Cabinet Card. Private Collection.

Ivorygraph. St. Johnsbury. Vermont. Boston. Young man. Cabinet Card. Private Collection.

A near pristine high contrast three-quarter portrait from circa 1880-90. I’m very pleased how well this cabinet card was preserved. Except for a couple of tiny scratches, it was carefully stored and looks amazing for its age. The cardstock is unblemished and still its original color: a lovely, clean shade of cream.

The back of the card is blank, and unfortunately this fresh faced budding gentleman with the Windsor tie wasn’t IDed.

Photographer: Ivorygraph. Hastings. 26 Eastern Avenue. St. Johnsbury, Vermont. Branch of 146 Tremont Street, Boston.


Flat, Slick and Shiny

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Young man with slicked back hair. 1923, Hostetler studio. Davenport, Iowa. Private Collection.

A profile portrait taken in 1923. It came in a nice folder frame with the photographer info, and still has the protective sheet.

If you ever wondered why great grandma’s armchairs always had lace doilies on the top of the backs, now you know the habit was born out of wanting to protect her precious furniture from her household’s intentionally greasy heads!

Photographer: Hostetler. Est. Since 1888. 212 West 3rd St. Davenport. Iowa.


The Smoking Club

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Thomas Hofer Fulpmes cabinet card. Private Collection.

This turn of the century group of five teens, three smoking long porcelain pipes, seems to be enjoying a lazy day lounging around on the grass. Their homburgs and fedoras look more 1920s-30s, which I find perplexing. I’m not excluding the possibility this cabinet card is post period and from the 20s, even if their suits would look a bit dated in less rural areas.

This photo was taken by Thomas Hofer in Fulpmes, Austria. I googled a bit about Fulpmes and was taken aback by how gorgeous this mountain village is. Today it has just over 4,000 residents, mostly fueled by tourism. I imagine it was much smaller a century ago.

This is what these boys saw every day:

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(only slightly jealous :-)

But to come back to the card…The picture takes the whole front, the photographer info on a back stamp. To me the grass appears brown and battered from the melted snow of long winter months. Was this taken in early spring?

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6″ x 4.5″cabinet card

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back of card stamp.

The photographer called himself an “amateur”. Perhaps he was only taking photographs for his own pleasure and did not own a business, or he was just starting out.


The 1920s boy with the rouged lips

RPPC. Private Collection.

A 1920s little boy with the rouged lips. RPPC. Private Collection.

“When I grow up, I want to be Rudolph Valentino!” Look at this mini gentleman…What a  cute close-up portrait of this boy, and with the rouged lips. Though I knew the practice was common for mass marketed postcards, mostly of romance couples and actors, this is the first time I see this done to a child on a regular portrait picture. Maybe he did work as a postcard model.

RPPC: AZO 1918-1930


Cuffed and Affectionate

 

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Unidentified man with leather cuff and Ed Huskell. RPPC. Private Collection.

Of course, what I noticed first is the greatly detailed leather cuff. Was it purely a fashion statement, or did it have a more practical use? The unidentified man with the cuff is posing with his left arm on Ed Huskell (or Hushell)’s shoulder. The pose is casually affectionate with Ed leaning into his friend.

Ed is IDed on the back as the husband of Stella, and father of  Beatrice (1912), Lonnie (1913), Flo Etta (1915), Phyllis (1917) and David McKeith (1924).

McKeith does seem like a strange choice for a middle name.

RPPC: AZO 1904-1918