Category Archives: Gentlemen

A booming town’s young man

cabinet-rhinelander

1880s-90s cabinet card. B.F.Kaler. Rhinelander, Wisconsin. Private Collection.

This Victorian man’s collar resembles a bishop neckband, but here the collar and sturdy chest piece look to be an all-in-one.

When this unidentified sitter had his picture taken, Pelican Rapids had only been recently renamed Rhinelander after Frederic W. Rhinelander of New York, who was president of the Milwaukee, Lake Shore & Western Road at the time. Rhinelander’s Wisconsin and Pelican rivers were ideal to transport lumber, as such the town became the newest timber mill of the northern part of the state. In 1882 the main railroad through town was completed, and in 1890 its population grew to about 3,000. Within the next decade Rhinelander boomed to almost double its size. Had this young man come to town in search of opportunities?

Photographer: B.F.Kaler. Rhinelander, Wisconsin. Mr. Kaler was the successor of Carl Krueger of The Krueger Studio.


What’s not to love?

rppc-puppy-young-man

Wag, wag, wag goes the tail. RPPC. 1900s. Private Collection.

This photograph makes me feel all fuzzy and warm. The puppy is loving its brand new daddy who’s holding it like the big baby it is. It posed front paw over the other, wagging its tail so fast the camera only got to catch the white end trail of it.

And the two ladies of the house watching from behind the window. Had this young gentleman just come from inside to get his new companion? It looks like it could have been a St. Bernard or a Bernese. No matter what breed, this was love at first sight for the both of them, and it shows.

rppc-puppy-young-man-detail

RPPC: CYKO 1904-1920s


Cap and Bowtie

photostrip-jaunty-cap

1920s-30s studio portrait. Private Collection.

This picture is photobooth size, and what a lovely portrait of this gentleman with the cap. This charming fella looks to be Italian too, and a blue collar for certain. He comes off  as the friendly, hard working father of a fast growing family. :)

Photographer: Stamped on back – THE LITTLE PICTURE SHOP (how cute of a name is that??) 80 Kansas Avenue. Topeka – Kansas.


Pretty Eyes Arthur Monk

Arthur Monk. RPPC. Private Collection.

Arthur Monk. RPPC. Private Collection.

Arthur’s eyes come through even in sepia. Beautiful!

This gentleman is IDed on the back of this real photo postcard, unfortunately there are too many Arthur Monks born in his time period to find out who he was. Too bad.

RPPC: AZO 1904-1918


Hauntingly soulful

The Christ-like farmer. Tintype. Private Collection.

The contemplative worker. Tintype. Private Collection.

This tintype is interesting. It came into a home cut and sewn simple leather frame and is a little over 3.5″ x 4″ (a bit larger than a quarter plate). The seller who does not specialize in vintage pictures didn’t know if it is a repro or not, only that it came from an estate. I was ready to accept the gamble. To my relief (and joy) it is neither new or a reproduction: this photograph has marks from the leather mat bleeding onto the sides and shows the usual scuffs of vintage tintypes. Also it has no dot matrix typical of repros.

Yes, I opened the sleeve from the bottom.

But I can’t date it. This portrait could have been taken anytime between 1890-1960 (using the original method) but I’m thinking 1910s-1920s for some reason. I don’t think it is more recent than around the 60s though; it takes decades to have such side marks from the frame. Yes, that’s quite the window! In a way I like the timelessness of it. I wish I could make out what’s behind him. It looks like some type of construction. There is few if any clue I can use. While dress shirts became the norm for suits around WWI, they were already in use by blue collars much before that and are still in use.  The hair could be from anytime and I don’t know enough of overalls “fashion” (lol). If anyone wishes to chime in on dating this tintype, please do!

edit: after talking with some experts on Facebook, this tintype was most likely taken in the 1970s! 

The back is black and pristine, mostly because this tintype was put in that sleeve right after it was made. But the scuffs on the front and the type of sleeve lead me to want to believe a person may have carried the portrait on themselves for a while.

His eyes look haunting on his soiled face. And with his long hair, this young worker’s expression reminds me of depictions of Christ in art (minus the beard). He’s mesmerizing; there’s depth, tiredness and maybe sadness. I see him being late teens and still growing, his neck awkwardly too long. He reminds me of the rural worker.