Cabinet card of Czech virtuoso violinist Jan Kubelík

Violinist Jan Kubelík cabinet card by Mally, Chicago. Private Collection.

Violinist Jan Kubelík cabinet card by Mally, Chicago. Private Collection.

Jan Kubelík

BY Carl Sandburg

Your bow swept over a string, and a long low note quivered to the air.
(A mother of Bohemia sobs over a new child, perfect, learning to suck milk.)

Your bow ran fast over all the high strings fluttering and wild.
(All the girls in Bohemia are laughing on a Sunday afternoon in the hills with their lovers.)

When I came across this beautiful cabinet card I instantly recognized the violinist. This young man’s tousled hair is unmistakable and the pose is typical of him, his violin looking highly polished under his arm, his bow hanging low on his hand.

I’d previously written another post about Jan Kubelík last March, illustrated with a real photo postcard I don’t have in my collection.

Born July 5, 1880, Jan went on tour for the first time to the United States in 1901-02 when he was only 21 or 22, already an internationally renowned musician. This cabinet card was made on his first visit to Chicago.

Because Jan’s rising fame straddled the period when cabinet cards fell into disuse as real photo postcards took their place, cabinet cards of Jan are rare. There are more pictures of him on real photo postcards and I have not seen this particular pose before.

Here are two more shots of Jan from the same period I found online (he’s wearing the same style of slim overcoat on all his portraits):

A few fact about Jan Kubelík:

  • His recordings contributed greatly to the success of the gramophone.
  • He married a countess in 1903, Anna Julie Marie Széll von Bessenyö, had eight children with her and remained married to her until his death in 1940. All his children became musicians.
  • His sixth child, son Rafael Kubelik, became an internationally renowned conductor, violinist and pianist in his own right. In 1950 he became director of the Chicago Symphony Orchestra.
  • In spring 1912 Jan performed a concert of painter Jean Dominique Ingres’ favorite musical pieces on the deceased artist’s violin (who knew the painter could play too?). This recital inspired attending French painter Georges Braque to paint Violin: “Mozart Kubelick” (sic). A year later the painting was included in the Armory Show, the exhibition that introduced modern art to America. The painter had misspelled the violinist’s name, giving rise to puns about cubist Braque being the one who put the “cube in Kubelik” and the “art in Mozart”.

Photographer: Mally. 570 W. 13th St. Chicago. For reference, Mally is the same studio as Prencel & Mally found on other Chicago based cabinet cards.


1910s Vito Corleone

Robert de Niro as Vito Corleone digital real photo postcard by C.Ryan.

Robert de Niro as Vito Corleone digital real photo postcard by C.Ryan.

No, really. ;) Ok, so this isn’t really a vintage picture, but I was bored tonight and decided to play with Photoshop. Even though I only started collecting vintage pictures this year, I’m influenced by and always loved period films and books. And of course, Vito Corleone is one of my favorite characters! I had to do a real photo postcard of him, as portrayed by Robert de Niro. The background is a detail of a photograph taken of Pell Street, in the Chinatown of New York’s Lower East Side in the 1910s.


Brooklyn WWI era private signing document

RPPC. Private Collection.

RPPC. Private Collection.

A mystery as to what this private was handed and signed. Was the thick book a bible? A law book? This RPPC was glued to an album, effectively hiding the photographer info stamped on the back. All I can make out is the location of the studio in Brooklyn. I suspect the other two are related to him, his brothers?

Happy Veterans Day!

RPPC: AZO 1904-1918


Tom and George Robinson in straw boaters

Tom & George Robinson. RPPC. Private Collection.

Tom & George Robinson. RPPC. Private Collection.

These two brothers or cousins are IDed on the back. Tom on the left looks neutral enough, but George has this ‘piss off!’ look on his face.

I would love to find more formal portraits from the 1910s with the sitters wearing their straw boater hats but, weirdly enough, I don’t come across many. Here these two match with their hats on with different band designs and colored bowties. Nice shirts too, especially George’s with the pleats. I love the look, but somebody needed to tell him to cool off a bit. :)

RPPC: Artura 1910-1924


Mr. Prom King

Zamsky Studio. Philadelphia. Studio portrait. Private Collection.

Zamsky Studio. Philadelphia. Studio portrait. Private Collection.

Well, apart from saying just how obviously photogenic this sitter is…This portrait is a 5″x7″ in a 7″x10″ matte with flaps…but the mailman violently (yes, I’ll say violently) shoved it into my mailbox and bent it at a 90 degree angle. The seller never put a “Do Not Bend” warning on the envelope. I was, to put it mildly, fuming! But after some reshaping the crease isn’t so apparent and a little photoshop helped too. But…I’m still reeling. Vintage pictures that managed to survive decades if not more, suddenly damaged in shipping?  I can’t even…

But, I’ll calm down.

I wish this sitter was IDed. Pretty, wasn’t he? And as such he earned a spot in this collection. The 50s was such a wonderful yet deeply flawed decade, but its fashion aesthetics are still timelessly elegant.  I need to live in a parallel universe with today’s technology, civil rights and back then’s style. :)

Photographer: Zamsky. Philadelphia.