1927 Joseph Bertrand on bridge. Private Collection.
Rule #1: no matter where you are or on what, always look cool.
Joseph looks like he was on a trail bridge desperately in need of repair. Bet he checked the rail first before leaning against it. He’s wearing a panama hat and a suit with ‘plus fours’. The breeches extended 4 inches more below the knee than traditional knickerbockers, hence the name. They were very popular in the twenties as sportswear, especially for golf. Swing dancers adopted them in the 30s and 40s. He’s wearing plain white socks here but ‘plus fours’ popularized a slew of patterned socks like argyles.
This is a small picture, 2″ 1/4 x 3″ 1/4. The man is IDed on the back, the picture dated June 1927.
1911 Dean in cap. RPPC. Private Collection.
I posted this one on tumblr a while ago but I decided to get it, so here it is for this blog. Dean is posing with a leg up for this snapshot. He sent this picture on October 11, 1911 from Northfield Minnesota. His note is below. I especially like the past part. Is Old Fred a dog?
RPPC. Private Collection.
He has his collar upturned and it looks like an all-in-one dress shirt + collar. This gent was an early adopter.
And there’s something of a defiant sneer behind this half smile. I’m willing to bet his father of the more conservative, detachable starched collar camp didn’t like that his son wore those shirts.
I can hear the father say “Get this travesty of a shirt off and get a proper collar! What is this world coming to? You look undone!”, to which this young gent replied something like “You and your stuffy old ways! I’ll wear what I want!”
Think I’m exaggerating? :) For us today this may seem like a ridiculous issue, but there was an uproar over the adoption of collared shirts into the mainstream. They were thought to make a man not look like a proper gentleman. Oh, the decaying of society! The British were especially against this trend coming from America. Surprised much? Well, they lost this battle.
Photographer: Elsner Studio. Loup City. Nebraska
RPPC: AZO 1904-1918
1880s-1890s Walton Stauf. Cabinet card. Private Collection.
back of card signature.
Mr. Cool is posing in a fine long tail coat with matching waistcoat, and with his hands in pockets. He doubled up his fob chain, made a hole into the waistcoat pocket, passed it through and extended it all the way to his pants’ pocket -that’s one very long chain. I can see this gent thinking up something like this after losing an expensive pocket watch and then wanting the replacement to be more secure.
Well, we know he was right-handed. :)
And from the suit with the creased pants that he wasn’t hard up for money, but I couldn’t find anything about him. Pity!
There were/are very few Staufs in the U.S. A Henrietta Stauf emigrated from Germany to Maryland passing through Canada in 1858. She likely was related to Walton.
Photographer: Jeffres & Rogers. 112 N. Charles St. Baltimore. Maryland. The back is blank.
Kough & Leeper cabinet card portrait. Private Collection.
This very handsome gentleman from the 1880s is very smartly dressed. The striped tie is rather nice too.
No need to edit the contrast or erase scratches on this one. Like the timeless elegance of the sitter, this picture stood the test of time. The scalloped edges are golden too, truly a beautiful card which was kept in an album.
Photographer: Kough & Leeper. Fayette St. Uniontown, Pennsylvania.
Two canes, three hats, a mustache and a whole lot of attitude. Tintype. Private Collection.
These three 1880s gentlemen by a balustrade are all very well-dressed, the one to the right with the creased pants, the other to the left with a tight-fitting striped pair. All are wearing Windsor ties typical of the decade.
The men look like they were business partners. The confident attitude of the man to the left makes him look like a ruthless go-getter. Roar!
1890s CDV. Private Collection.
A very interesting little CDV, both unique and beautiful, of a young man in profile with glasses on his nose.
He’s wearing some fine and unusual evening wear. The details are amazing like the diamond shaped buttons on the white shirt, and the looped ones on the slim coat. His bowtie looks made of velvet.
His hair also feels like an anachronism.
Back of CDV. V. Donat & J. Tomas
Photographer: V. Donat & J. Tomas. Prague. Czech Republic (the Austro Hungarian Empire at the time).