Tag Archives: 1910s

Leo Hahn with Miss Baker and Miss K.

RPPC. Private Collection.

Leo Hahn with Miss Baker and Miss K. RPPC. Private Collection.

Leo with two lady friends IDed on the back. This photo was taken on the 9th or March 1910.

The dark dresses busily contrast so well with the young man’s sober suit. Miss Baker’s wearing a beautifully embroidered dress with a matching filigree necklace, and Miss K is wearing a square flap collar dress that seems to be sheer by the neck. Oh, and the big frou-frou hats with the fluffy feathers, a proper lady’s outfit isn’t complete without one of those!

I wonder if these women were dressed in mourning.

Leonard Hahn was from Montgomery, Kansas and was 25 years old when this photo was taken.

Back of RPPC after the cut.

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The last kiss goodbye

1910's Postcard.  Private Collection.

1910’s Postcard of home wake. Private Collection. Click for larger image.

The third one lifted her at once
And he kissed her mouth, so pale.
“I still love you today, I love you more than ever.
I will love you in eternity!”

This image is very touching, the composition was very carefully balanced between the lover’s intimate goodbye and the rest of the family.

To the left in the foreground, the mother of the deceased young woman is mourning with her head and eyes lowered. She’s holding a white handkerchief in her hands and has a set of house keys hanging off her waist. She stands with the brothers of the kissing man -since he’s referred to as the third. The young man in the middle is offering the mother needed physical comfort with his arm on her back, his hat still in hand. The other looks to be comforting her with words instead.

In the background and behind curtains the third grieving gentleman and sweetheart of the deceased woman left his hat on the steps to give his lost love a last kiss goodbye. She lays on the bed with a wraith matching white flower in her curly hair.

This Edwardian postcard approaches this sad human experience with subtle yet powerful imagery. There’s a touch of comfort too: their love is eternal and unwavering, even after death. Again this all feels timeless, yet today you would see this sort of scene at the hospital instead.

Note in German. Needs translating.

Note on back.

This card was posted at the dawn of the first World War from Frankfurt, Germany on October 26th, 1914. The sender was Nach Langer and the recipient Miss Elisabeth Kunst.


Two handsome brothers from Kansas City

vochatzer-brothers

Circa 1915. The handsome Vochatzer brothers. Personal Collection

Oh no, something landed on the sleeve of the sitting brother! No matter!

The standing one is classically dressed up with a long overcoat and leather gloves.The other is more casual with a dark turtleneck under his baggy suit.

This RPPC has the photographer info, something I wish I saw more often. Back of card after the cut.

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1915 photo strip of smiling young man

Super early, super tiny photobooth. Private Collection.

Super tiny photo booth style strip. Dated 1915. Private Collection.

A cute early example of a photobooth style photo strip. Look at this one with the wide engaging smile. And he looks younger with his hat on!

Apart from the subject, what makes this photo strip interesting is that it is dated 1915 on the back in pencil. This means this strip was taken a good eleven years before inventor Anatol Josephewitz (later Josepho) patented his machine and opened the infamous New York based automated Photomaton Studio dubbed “Broadway’s greatest quarter-snatcher”. As many as 7,000 New Yorkers a day stood in line to experience his machine, and by the end of the first year Mr. Josepho had made a swell million dollars (in yesterday’s money!) contracting his machine for expansion Ok, I’m getting sidetracked here..!

I’d like to find out why strips like this one existed before the era of the Photomaton, but info on photo strips taken prior to Josepho’s invention isn’t readily available online. This particular example is very tiny. Each photo is about 1 inch by 1 inch. I think these were proofs for larger versions to be ordered, but the portrait poses look informal, like taken at a photobooth…

 


In depth: 1911 private Stephen Moravyk and the Mexican Border War

Detail of RPPC. 1910 to early 1911. Personal Collection. (Clean up that stain, private!)

Detail of RPPC. 1911. Private Collection.

The pose is great and the young man is the poster boy for a recruitment advert.  So I set to research some more about him. If you want to find out how the process went, keep on reading.

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